1301.) In the third and last part of my tribute to the work of the late, great Robert Aldrich, I tackle his Seventies output, which found him making more “guy movies” while still delivering pointed political messages and terrific updates on old genres. Among the genre updates are his take on gangsters (The Grissom Gang with the late Scott Wilson), the Western (Ulzana’s Raid with the amazing Burt Lancaster), the sports picture (The Longest Yard with Burt Reynolds), and the film noir (Hustle with Reynolds and Catherine Deneuve, and a wonderfully evil Eddie Albert!). Also included are discussions of, and clips from, his memorable chronicle of hobo living in the Depression (King of the North Pole) and his final masterwork, the political thriller Twilight’s Last Gleaming. Aldrich did some amazing work in the Hollywood’s period of “maverick cinema” – despite being a few decades older than the mavericks, he fit right in, because of his skills at subverting genres, spotlighting memorably tortured characters, and crafting haunting imagery.