December 8, 2018
1305.) Vintage: This week I close out my three-episode series about the brilliant, exciting, and influential work of Jean-Pierre Melville, with a discussion of (including quotes from Rui Nogueira’s indispensable Melville on Melville), and clips from, his last four masterpieces. We start out with Le Deuxieme Souffle (1966), a densely-plotted and beautifully executed crime saga with tour de force set-pieces. I next turn to the mega-influential Le Samourai (1967), the hit man film to end all hit man films (and a model for countless other movies made in France, the U.S., Germany, Japan, and Hong Kong, among other countries). Next up is Army of Shadows (1969), Melville’s deeply felt tribute to the French Resistance during WWII – depicting the resistants as operating quite like organized crime in their methods and moral codes. I close out with the final classic, Le Cercle Rouge (1970). Here Melville threw in everything he knew about crime films as he crafted a perfect caper movie, with doomed characters (the most memorable played by the always-impeccable Yves Montand), a “dream” heist, and a quietly grim atmosphere.